Utsuwa (Poterie de Haji), vue intérieure
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Utsuwa (Poterie de Haji), détail
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Utsuwa (Poterie de Haji), détail
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Utsuwa (Poterie de Haji) et Nagare, au fil du temps
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps et Utsuwa (Poterie de Haji)
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps et Utsuwa (Poterie de Haji)
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps, Etrusques, détail
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps, Etrusques
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps, Etrusques, détail
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps, Cyclades, détail
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Nagare, au fil du temps
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Série Horizons, vue d'exposition
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Carnet et dessin préparatoire, vue d'exposition
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Utsuwa (Poterie de Haji), vue de nuit
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Utsuwa (Poterie de Haji), vue de nuit
2021, Kyoto City Kyocera Museum of Art, Kyoto, Japon
© Mari Minato 2021 - saif | © Kyoto City Kyocera Museum of Art | Photo : ©Fumitaka Miyoshi
Utsuwa
Installation sur les façades et dans les espaces intérieurs du Kyoto City Kyocera Museum of Art, | installation temporaire pour mon exposition personnelle « Horizons »
Utsuwa (Haji Pottery) : pigments, acrylic binding and aluminum sheets on glass and concrete walls, various dimensions, 2021
Nagare, au fil du temps : rouleaux de tissus en coton, feuilles d'aluminium, d'argent et d'étain, dimensions variables, 2021
bâtiment réhabilité par l'architecte Jun Aoki
Reveal the natural forces, the lava flows from the eruption of the Aïra volcano, the floods of the Shirakawa River...
From documents of archaeological excavations on the site, I identified the water which crossed the space of the Triangle from the northeast to the southwest. At the edge of an always humid zone, at the end of the Yayoi and the beginning of Kofun periods, its border marked the limit of fertile land and dwellings: nature and humanity.
The Yayoi era is the end of a society, where the priestess Himiko who united a country, disappears in favor of a male-dominated system.
In my installation, the drawing of a chalice from the Yayoi period is installed on the facades of the Triangle. Inside, rolls of fabric bring out forms from other territories, Etruscan and Greek from a similar period, in line with the water.